The second installment in my series of World War One reading lists (see: poetry and fiction). These non-fiction works range from interviews and letters to memoirs and diaries, written by both established writers and ordinary people, trying to figure out how to live in a world that was crumbling underneath their feet.
Inspired by this year’s centenary events and wave of media attention, I have spent the last few months diving into works from the Great War and encountered some true gems along the way. It is a fascinating era where artists struggle to put unspeakable horrors into words and try to find meaning in the chaos. For everyone who wants to get into WWI literature, I have put together three reading lists with suggestions, ranging from the big names of the period to lesser known publications that I think deserve more attention. The first post in the series deals with poetry (see: non-fiction and fiction), both from the era itself and by contemporary authors looking back.
Thanks to the centenary I have caught the WWI bug and I have started working my way through Great War literature. After Wilfred Owen and Siegfried Sassoon, I figured it was time for a non-fiction account and decided on this collection of letters and diaries, edited by Sebastian Faulks and Hope Wolf. The selection is varied, including not just British documents but also German, Russian, and Indian voices, plenty of women (much appreciated!), and mostly “ordinary people” with the occasional familiar name thrown in (Virginia Woolf, E.M. Forster, D.H. Lawrence, and so on). The fragments are not in chronological order, but have been organised by place and theme instead: ‘Hearing and imagining from afar’, ‘experience at close quarters’, ‘how the war divided us’, and ‘searching for what is lost.’ We get stories from all over Europe, ranging from published articles to letters from loved ones.