This last year or so I have become positively addicted to podcasts, especially those that manage to teach me something and be incredibly entertaining at the same time. These past few months, I have spent many a train journey learning about astrophysics, British history, ancient philosophy… It’s educational, fun, and a great way to multitask to boot. Have to spend an afternoon cleaning your room? Long car trip ahead of you? Going grocery shopping? Waiting at the dentist’s? Put on a podcast!
Since there are about a million podcasts out there, it can be difficult for a newcomer to know where to start, which is why I have put together a list of recommendations for you. So put on those headphones and follow me. You might learn something.
Vittoria (Kristy Bushell) and Brachiano (David Sturzaker) with Flamineo (Laura Elphinstone) watching in the background.
Read my book review of The White Devil by John Webster here.
A few hours before we attended the RSC 2014 production of John Webster’s The White Devil (Swan Theatre, Stratford-upon-Avon), my fellow students and I attended a lecture by Martin Wiggins at the Shakespeare Centre. He spoke passionately about how these characters are all prisoners of circumstance, driven to crime without the financial means to sustain their honour, and discussed the play’s detached analysis of morality whilest quoting Hamlet (“nothing either good or bad but thinking makes it so”). All interesting points, but Wiggins barely touched upon what struck me the most about the play when I first read it: its depiction of brutal misogyny. My professor seemed to agree and raised his hand to ask Wiggins about it: “But what about gender?” Wiggins pulled a “not this again” face, the face of a man who has gotten this question a lot lately and is starting to get a little annoyed. “That is not what Webster’s play is about, though.” Seeing the quick look of skepticism my professor and I exchanged, he added: “you will see that the current production makes much of gender, but it is a jazz riff on the text, not a straightforward representation.”
A number of critics seem to agree with Wiggins: this is director Maria Aberg’s The White Devil, not John Webster’s. But is this really a problem?