Read my book review of Love’s Labour’s Lost here.
In 2014, the RSC performed a trilogy of plays set before (Love’s Labour’s Lost), during (The Christmas Truce), and right after World War One (Much Ado About Nothing – review here), thus tying into the year’s centenary commemoration events. The two Shakespeare plays were presented as the Love’s Labour’s duology: Much Ado was retitled Love’s Labour’s Won (a controversial decision resulting in many confused people in the audience and furious debate among Shakespeare scholars), the majority of the cast performed in both plays, and both used the same setting: Charlecote Park, a grand country house and estate a few kilometres away from Stratford-upon-Avon where some say Shakespeare poached a deer and got arrested for it.
The 2009 Globe production.
Read my review of the 2014 RSC production here.
The university student is a strange creature, stuck in a curious limbo between adolescence and adulthood. It is said to be a time of great learning: you attend lectures on fascinating subjects (hopefully), figure out how to pay an electricity bill, and do your own laundry. There is the pursuit of knowledge, the desire to evolve, a search for that elusive wisdom that all proper adults seem to possess… But you’re not an adult yet. Instead, you find yourself having water balloon fights outside the lecture hall and drunkenly debating the finer details of The Samurai Pizza Cats at a party while wearing a penguin suit you don’t remember putting on. This delicate balance between work and play, between new responsibilities and having fun, is exactly what Love’s Labour’s Lost is about.